Love's Labour's Lost (Commonwealth Shakespeare Company)

"Obehi Janice as Rosaline teases and tricks her way through her flirtation with Berowne, deploying sass that makes 400-year-old words seem fresh and modern." -Miranda Suarez, StreetTrotter

"Bowen’s fast-paced verbal duels with his lady love, Rosaline, played here with whiplash glee by Obehi Janice, are easily the highlights of the production. Their exchanges are enough to make you want to see the actors go full tilt by playing Beatrice and Benedick in a production of Much Ado About Nothing." -Bill Marx, Fuse Theater Review

"One reason for Bloom’s championing of “Love’s Labour’s Lost” (which James Joyce also liked) is what he calls its “florabundance of language.” And dazzling it is, particularly in Berowne’s arch arias and scathingly flirtatious ripostes with the visiting Rosaline, the latter exchanges like a blueprint for the love-pricked sparring of Benedick and Beatrice in “Much Ado About Nothing.” Here Jason Bowen makes a dashing if also sheepish Berowne, Obehi Janice a honey-voiced, utterly-in-command Rosaline, her every silken put-down echoed by an undulating shoulder." -Carolyn Clay, The Artery 

We're Gonna Die (Company One Theatre/American Repertory Theater)

"Janice brings plenty of star wattage to the stage and makes the material her own." -Killian Melloy, The Artery

"THEATER: WE'RE GONNA DIE." Joyce Kulhawik, Joyce's Choices

"BWW Review: WE'RE GONNA DIE in New England Premiere." Nancy Grossman, Broadway World Boston